When I sit down to create an Easter card, I usually have one goal in mind: soft, sweet, and dimensional — without making it complicated. For this handmade Easter card, I wanted a clean and layered design that felt polished but still approachable for beginner to intermediate cardmakers. Texture became the focus. In my video, Creating a Textured Easter Card with Pattern Paper, Dies & Ink Blending Techniques , I walk through the full process so you can see how everything comes t

There’s something about a bold red barn and blue gingham that just feels cheerful and celebratory. For this birthday card, my goal was to create a farm-themed design that felt playful but still structured and polished. I wanted the card to have personality without looking cluttered — especially since I was working with multiple stamped images and a strong focal die cut. I walk through the full process in my video, but here I want to share the design thinking behind it. Unders

There’s something about a punny birthday card that just makes people smile before they even read the message. For this project, I wanted to combine playful stamped images with a bold layered stencil background — without letting the design feel overwhelming. The goal was to show how you can mix stenciling, ink blending, and Copic coloring in a way that feels cohesive and manageable. I walk through the full creative process in the video, but here on the blog I want to talk more

Masculine birthday cards can feel tricky. So many patterned papers lean floral or soft, and it’s easy to overthink the layout trying to make everything feel “manly enough.” For this handmade birthday card, my goal was simple: create a strong, masculine design that still feels fun and polished — without making it complicated. I walked through the full process in today’s video so you can see how everything comes together visually. But here on the blog, I want to talk about the

There’s something about spring cards that makes us want to use all  the patterned paper at once. The colors are fresh, the prints are cheerful, and before we know it, we’re second-guessing every combination. For this handmade card, my goal was simple: create a bright spring design that feels layered and interesting without feeling busy or overwhelming. I share the full process in today’s video, but here on the blog I want to talk through the design thinking behind it—especial

There is something so satisfying about creating a card that looks impressive but is actually built on a very repeatable structure. That’s exactly why I love a Book Cradle fun fold card. It has presence. It stands beautifully for display. And it gives you multiple design areas to play with—without feeling overwhelming. For these two 5 x 7 handmade cards, I wanted to show how one layout can feel completely different simply by shifting the color story. Both designs use the same

Sometimes the hardest part of cardmaking isn’t the stamping or the blending… it’s deciding where to start. For this handmade friendship card, I let my Creative Card Deck  do the decision-making for me. I pulled four prompts: Occasion:  Friendship Color Prompt:  Soft/Subtle Technique:  Heat Embossing Design Rule:  Use Something Neglected That combination immediately gave me direction. Instead of staring at my supplies wondering what to create, I had a framework. In the video,

There’s something about Easter cards that invites bright color, playful layers, and just a little bit of dimension. For this set of three handmade Easter cards, my goal was simple: create bold, cheerful designs that look detailed and layered—but are still manageable for beginner to intermediate cardmakers. I filmed the full process in my Fast and Fabulous Card in Four Easy Steps | Happy Easter Card  video so you can see how everything comes together visually. Here on the blog

Shaker cards are one of those cardmaking styles that many crafters love to look at—but hesitate to make. Between the foam tape, alignment, and fear of things shifting, it can feel like a lot. For this Valentine’s Day project, my goal was to create a borderless shaker card that feels polished and playful, without the usual stress that comes with shaker construction. I wanted this card to focus on design decisions  rather than complicated assembly. Ink blending, faux bleaching,

If you’ve ever sat down to make a card and gotten stuck before you even started  because you couldn’t decide on colors, you’re not alone. I hear this all the time from cardmakers—especially those who love clean and simple designs but feel unsure about color theory. That hesitation can take the fun right out of crafting. For this spring card, my goal was to remove that roadblock entirely. Instead of starting with a stamp or die, I started with a color palette —specifically a s

One of the questions I hear most often from cardmakers is, “How do you know which Copic colors to use?”  Coloring stamped images can feel intimidating, especially when you’re staring at a big marker collection and don’t know where to start. For this card, my goal was to take that pressure off and show a more intuitive way to make color decisions—by letting the pattern paper do the work for you. I created this cute and whimsical handmade card as an example of how pattern paper

When I sit down to make a Valentine’s Day card, my goal is almost always the same: something cheerful and heartfelt that doesn’t require overthinking every single step. This project started with that exact intention—creating a handmade card that feels finished and polished, but still relaxed and approachable from start to finish. One of the biggest challenges I hear from cardmakers is alcohol marker coloring. Not the coloring itself, but the decisions  that come with it—what

When it comes to Valentine’s Day cards, I hear the same concern every year: “I want to make something cute and thoughtful, but I don’t want to overthink it.”  That’s exactly the problem I wanted to solve with these three handmade Valentine’s Day cards. The goal with this project was to show how die cutting and pattern paper mixing  can do the heavy lifting for you—no complicated coloring, no guessing if things coordinate, and no pressure to reinvent the wheel. I shared the fu

Sometimes I sit down to make a card and realize the real challenge isn’t how  to make it—it’s deciding where to start . Too many supplies, too many options, and suddenly the creative spark feels a little stuck. For this Coffee & Magic card, my goal was to simplify those decisions while still creating a card that feels polished, layered, and fun. I wanted a design that leaned heavily on die cutting and pattern paper, with no complicated coloring or fussy steps. The video walks

One of the things I hear most often from cardmakers is, “I love my dies… but I feel like I use them the same way every time.”  That’s exactly the problem I wanted to solve with this project. Instead of reaching for a standard card base, I challenged myself to design an off-the-edge card in a nontraditional size—one that lets the die shape take center stage and feel intentional, not awkward. This jacket-shaped card was inspired by fan art (with a little Grease flair), but the

Mixing pattern paper on handmade cards is one of those things that sounds  more complicated than it really is—especially when you’re also stamping and coloring an image. I hear from cardmakers all the time who love patterned paper but hesitate to use it because they’re worried the card will feel too busy or out of control. That’s exactly the problem I wanted to solve with this winter card. I created this project to show how stamping, alcohol marker coloring, ink blending, and

I recently shared a full turnabout stamping tutorial over on the Miss Ink Stamps blog , where I walked through how I created two Magic Personality Collection cards from one stamped panel using the Cunning Stamp Set (from the Personality Bundle) . That post focuses on the product and the step-by-step process, so today I wanted to take a step back and talk about the why  behind this design and how you can adapt the idea with whatever you already have in your craft room. This po

When I sit down to make a gift card holder, my goal is always the same: I want it to feel just as special as a traditional card, not like an afterthought. Gift cards are practical, but the presentation is what turns them into something memorable. For this project, I wanted a design that felt playful and polished, while still being approachable for everyday cardmaking. This mouse-themed gift card holder card does exactly that. The combination of die cutting and pattern paper m

Scene cards can feel intimidating. There are a lot of moving pieces, and it’s easy to get stuck wondering where to start  or how to make everything work together . For this project, my creative goal was to build a theatre-style scene card that feels detailed and story-driven, without turning into an overwhelming design puzzle. I shared the process on video so you can see how the card comes together visually, but I also wanted to take a moment here on the blog to talk about th

One of the questions I hear most often from cardmakers is how to make die cuts feel less flat—especially if coloring isn’t their favorite part of the process. That was the exact problem I wanted to solve with today’s card. This Valentine’s Day card for a friend focuses on simple layers, thoughtful design choices, and just a touch of ink blending to create depth without adding complexity. I walk through the process on video so you can see how everything comes together visually